To increase the sentience, LOVE is presented to the people of the secret societies and all others as an evolutionary motive that is superior in its sacredness to fear. Fear is made irrational in the light of clinically oriented language based in simplicity devoted to psychological understandings. What is addressed here in the Truthasaur is an infinitely subtle form of hypnosis and the enhanced natural psychological tendency to repress or dissociate the hypnotic contact with the primordial mind.
Reason becomes my gift in return for the gifts born of courage and love as the secret ones reluctantly reveal their ancient orientations in the unconscious realm. Compelled by the mastery of natural knowledge unconsciously used by Native Medicine people, "they know not what they do". Obsessions fundamental to the functions of our instinctual essence the "biological clock", the circadian rhythm or the importance/dominance by it of the mind are exploited, naturally in this modern demonstration.
Much of the film industry is controlled by secret societies. Two recent films exemplify the compulsion of disinformation.
(See JOAN of ARC on video for deep and beautiful depiction's of human spirituality.)
This film made a year or so ago has been twinned in imagery and era. Joan of Arc was undoubtedly influenced by ancient hypnotists as a child. Very likely one of groups that were tolerated by the churches of the regions of southwestern france she lived in. The first recent film about Joan starred Peter O'toole and Shirley Mclaine. There was an effort to show the mystery and beauty that Joan knew, that compelled her to make the sacrifices she did.
The later film called "THE MESSENGER" with Dustin Hoffman. The film couldn't have the name "Joan of Arc" without infringing on the earlier film, but the text in the advertising identifies the story as an alternative account.
The film has a mystically sensational beginning with no import of historical information. Then it attempts to establish Joans motive as stemming from a horrible murder and rape. This depiction sets the viewers mental state in a realm of visceral disgust. Throughout Joan is shown to have no more than a disoriented spiritual connection with her commitment to France. The film goes further when it portrays her as spaced out or crazed and consumed with her own glory quest. The messenger actually belies history when it depicts her as having no concern for the people when the people of France were her greatest concern. Depicting her as raging and alone in rapture of grandeur while ridiculed by the soldiers she led defies logic. The idea that the violent, enraged, personality of Joan depicted in the Messenger could lead armies to victory augments the farcical script, cheap sets and inaccurate, grotesque warfare that dominates the film.
This is an instance of compulsive uses of economic power to disinform by confusion. The producers, writers and actors are not responsible for what they have done because they are compelled by ancient fear communicated to them as children with HYPNOSIS. The Truthasaur intends to protect their children, their futures and all life by illuminating the truth with LOVE. Indeed the author thanks them for producing such an obvious work of subterfuge.
The Goleta Valley Voice
A small newspaper in the secret County
The Goleta Valley Voice published this comment regarding my attempt to file a complaint for grant theft auto. The paper has a subtle usage of the "double V" as can be seen in the next image.
The presence of the G(od)ull flying near the center of the first "V" is equivalent to the "G"in the center of the 2 opposed Masonic "V". The paper has had this header since the beginning.
Recently the header was changed (below) to clearly show that the gull is a pelican and now the wingtip is nowhere near the center of the "V". The change of the header underlines the sensitivity those of the secret societies know when their Masonic tradition is inadvertently displayed then pointed out.
Ellen Goodman writes an article that illuminates the monopolization of media. She does it on the 21st of March and cites, "11 newspapers and 22 television stations".
The Santa Barbara Newspress has a section called "Life". The staff phone number ends with 22.
This was the final act in the theft of the Oscars on March 21st. The two employees were hypnotically scripted to believe they could profit and the post office was scripted to misplace the 4,000 ballots.
System of silence.